Organic may refer to:
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An organic unit is a military unit that is a permanent part of a larger unit and (usually) provides some specialized capability to that parent unit. For instance, the US Marine Corps incorporates its own aviation units (distinct from the US Air Force and US Navy) that provide it with fire support, electronic warfare, and transport.
At a lower level of organization, infantry units commonly incorporate organic armour or artillery units to improve their combined arms capability. Organic assets are closely integrated into their parent unit's command structure and their personnel are familiar with other personnel in the parent unit, improving coordination and responsiveness and making the parent unit more self-sufficient.
However, over-emphasis of organic assets can create wasteful redundancy. For instance, an infantry unit assigned to urban peacekeeping duties might have little use for its organic artillery, while another unit deployed elsewhere might have less artillery support than it required. The question of how much to emphasise the use of organic assets, as opposed to coordination with separate units ('joint organization') is a subject of debate and heavily dependent on questions of command and control.
Theatre or theater is a collaborative form of fine art that uses live performers to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art and stagecraft are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").
Modern Western theatre comes, in large measure, from ancient Greek drama, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language, stage writing, and the specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts, literature, and the arts in general.
Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N 73.98639°W / 40.75583; -73.98639
Broadway theatre, commonly known as Broadway, refers to the theatrical performances presented in the 40 professional theatres with 500 or more seats located in the Theater District and Lincoln Center along Broadway, in Manhattan, New York City. Along with London's West End theatres, Broadway theatres are widely considered to represent the highest level of commercial theatre in the English-speaking world.
The Theater District is a popular tourist attraction in New York City. According to The Broadway League, Broadway shows sold a record US$1.36 billion worth of tickets in 2014, an increase of 14% over the previous year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.
The great majority of Broadway shows are musicals. Historian Martin Shefter argues, "'Broadway musicals,' culminating in the productions of Richard Rodgers and Oscar Hammerstein, became enormously influential forms of American popular culture" and helped make New York City the cultural capital of the nation.
Theatre was an experimental mathcore outfit formed in the lower suburbs of Somerset West, South Africa in 2008. They bring genre-smashing music to the foreground that is both unique in construction and chaotic in design, which is brought forth by means of a notably destructive yet emotive performance, with "live shows that truly defy the norm".
Theatre started out, as any new project would, as a simple concept which came about when brothers, Tarquin and Byron Jones of the late Eve Of My Collapse began collaborating with JJ van Rooyen, former frontman of Era Of The Hero. After welcoming members Schalk Venter and Duke Negus, the band was set to begin writing. The writing process was difficult and intricate, as the band was yet to find its true sound. In early 2009, Schalk stepped down from his position as bassist, but remained a part of the band as art director and occasional percussionist. Theatre, quickly filled the position with former-Era bassist, Jacques Jordaan. The band was complete and ready to hit the stage.